Inspiring Older Readers

posted on 13 Apr 2018

Revisiting two exclusive short stories : When The Sun Sets  &  The Moon Was Low and Close  by Hannah Stevens

(In July 2016 we were delighted to publish two short stories by Hannah Stevens who was then a PhD student. We're thrilled to hear from her that things have moved on and she now has her doctorate.  She has also been busy revising her original short stories. So here we give you a new updated profile and the full text of the stories )


Hannah is a short story and flash fiction writer based in Leicester in the UK. Her influences include Daphne Du Maurier and Joyce Carol Oates. Hannah’s work has been published in a number of print anthologies and literary journals. She has a PhD from the University of Leicester, works part-time in the voluntary sector and lives with her house-rabbit Agatha.



You can find her on Twitter at @Stevens_Han and her website here:



The Moon was Low and Close


Her bed was warm and through the crack in the curtains she could see stars stamped across the hard, black sky. She turned over and looked at the clock. The digital display was green and it glowed midnight. Her mobile phone was ringing and she picked it up.

‘Lydia, it’s Felix,’ the voice said. ‘The car has come off the road into a ditch and I can’t get it out. I’m not too far from home but not walking distance. Can you come and pick me up?’

‘Where are you?’ she asked. ‘Were you driving too fast?’

‘No,’ he said, ‘I don’t know what happened exactly but I think the tyre blew out. The car turned over on its side and I had to climb out. But don’t worry. I’m fine - just cold and a bit shaken.’

‘Okay, I’ll get dressed and jump in the car now. Whereabouts are you?’

‘Well it’s dark but I think I’m on Gartree Road. All I can see is fields but I’m sure I passed a sign not long ago. I’ll stay by the car. You can just about see it from the road as you’re driving. But I’ll move further out when I hear you coming.’

‘I’m getting up now,’ she said. ‘I won’t be long.’

Lydia took off her pyjamas, pulled on jeans from the bedroom floor. She shivered as the cold material settled around her legs. Her eyes were beginning to adjust to the dark and she saw her breath form white clouds in front of her face. She pulled a jumper over her head and picked up the coat hanging on the bedroom door. Then she pushed her phone deep into a pocket and ran down the stairs.

Outside the street was frozen. The moon was low and close but nothing shone underneath its white light: the frost was too hard, too solid. She hesitated for a second before she turned the key in the ignition: everywhere was so quiet and still. She scraped the ice from the windscreen until her fingers ached and then she climbed inside the car. She turned the heater to full and she sat and waited for the glass to clear.

There was no traffic and it didn’t take long to leave the bright city streets, to pass into the darker, twisting country roads and to find the road where Felix said he was. She would be there soon. Trees crowded inward, formed a canopy above her and in some places they blocked the light of the moon. She was close to the pub they’d often visited together when her phone began to ring. She took it from her pocket and the screen glowed: Felix.

‘Hello,’ she said, ‘I’ve just passed the pub. It took a while to get off the drive because I had to de-ice the car. The roads are quiet, though, so I won’t be long.’

‘I’ve started to walk,’ he said, ‘I was too cold standing still and I don’t like the noises from the trees.’

‘What noises?’ she asked.

He laughed.

‘I don’t know. It’s dark and probably just the wind. I’m scaring myself over nothing, I’m sure. I think my nerves are frayed from spinning off the road. Anyway I’m walking now. It should be in the direction you’re coming from if I’ve worked out where I am properly.’ She could hear in his voice that he was walking fast: he was slightly out of breath.

‘Okay,’ she said, ‘see you soon.’ She ended the call and put the phone back into her pocket. The heater was blowing hot now and she turned it down. The zip of her coat dug into her throat and she coughed. There was a gap in the trees and the moon was a crescent. This was her favourite kind of moon. Its light haloed across the sky and she thought of work the next day and how she would be tired.


How long had she been driving now? She looked at the clock: fifteen minutes had passed. This was the stretch of road where Felix said he would be, but there’d been no sign of him yet. Maybe she’d been driving too fast. What if she’d passed him already but didn’t see? Despite the heat in the car, she shivered.


She could hear the wind in his phone when he answered.

‘Hi, I’m on the road where you said. I’ve been driving for fifteen minutes now. I thought I would have found you.’

‘Just keep going, you can’t be far. I’m still walking.’ He sounded impatient this time. And was there panic in his voice? She couldn’t decide.

‘Are you walking in the right direction?’

‘Yes,’ he said, ‘I was just further back than I thought. These country roads all look the same, don’t they? Have you noticed how low the moon is? It’s giving me a shadow. I never realised you could cast a shadow in the dark.’

‘Felix,’ she said, although she didn’t quite know why.

‘I’ll keep walking,’ he said, ‘and you won’t miss me. Don’t worry.’

Lydia locked the car doors. He was much further out than she’d thought.


The moon shone from behind the trees and it looked like a silver sunrise in the sky. Her throat was dry and she wished she’d brought a drink. It was then that she saw the tyre tracks on the road. They veered towards trees across grass that was slashed with mud.

The car. No Felix. It took her a few seconds to stop. Her stomach twisted: she hadn’t passed him.

She pulled over. The wind was icy when she stepped outside and it took her breath. She moved towards the car although she wasn’t sure what she was looking for. Of course he wasn’t there and for a second she didn’t move.

Twisted high-pitched notes crowded the air around the car. The wind picked up the noise, scattered it amongst the trees. The car radio was smashed, the display off and yet the noise kept playing. She turned the volume button but the sound stayed the same. She wondered how long a car battery took to die and she looked upwards, looked towards the dark sky.  


Back at the roadside she held her phone in a shaking hand, pressed it to the side of her head. She listened to the ringing and she waited but this time Felix did not answer.




When the Sun Sets


‘Jamie, look: any minute now we’ll be able to see the sea. Are you ready?’ June is on the back seat of the car with him. Phil is driving. ‘Look at how flat everything is,’ she says, ‘it makes the sky look so big. I’ve never seen unbroken sky like this anywhere else. I love Norfolk.’

            ‘I know,’ says Phil, ‘you say that every time we come here. Every year for the past seventeen.’ He laughs.

            ‘I know,’ June says, ‘but it’s beautiful. Especially in weather like this. It makes you feel so small doesn’t it: lost in a sea of sky.’

            ‘You’re such a romantic,’ says Phil.

            It’s a hot day and the windows of the car are rolled down. There are wisps of white cloud and fields of rape glow yellow as far as they can see. The world shimmers in the heat.

            ‘I’m seventeen,’ says Jamie.

            ‘I know,’ says June. She holds his hand and it’s damp. ‘We come here every year. The first time was the year you were born.’ Jamie looks out of the car window. June tries to follow the line of his eye, to see what he is seeing.

            ‘You remember this scenery don’t you,’ she says. But Jamie doesn’t answer and they listen to the songs on the radio instead.


Soon they pass the sign for Docking. It’s a small village with a chip shop and a pub. Wisteria grows around front doors. The post office doesn’t have a queue.

            ‘I remember,’ says Jamie.

            ‘What do you remember?’ asks June.

            ‘Dog,’ says Jamie.

            ‘No, there’s no dog. But we had lunch at that pub last year. We sat outside in the sun.’ There are people outside now: a group of four, all quite young. The women wear sunglasses, look cool, light cigarettes and lift their pint glasses to say cheers.

            ‘I think he does remember,’ says Phil, ‘there was a dog there last time with that family we got talking to. It was a black Labrador.’

            ‘Blue,’ says Jamie.

            ‘Yes,’ says Phil, ‘it was wearing a blue collar.’

            ‘Wow,’ says June, ‘what a good memory.’


The campsite is set back from the road, hidden by surrounding trees. There’s a walk to the beach through the woodland behind them and if they are quiet they can hear the sea. Phil takes the tent from the boot of the car. The material is faded orange and heavy. Jamie sits on the grass looking at the trees and how they move in the breeze.


‘That’s home sorted for the next week,’ says June, ‘now time for a cup of tea, don’t you think?’ Nobody answers, of course, it’s not a question. She takes the small cooker from the tent and lights the ring. Purple flames spit from the metal. She places a silver kettle on the fire.


Later, there’s wine. The camp fire glows and crackles in the darkness, the rest of the campsite quiet and navy blue. June holds Phil’s hand. It’s warm and soft in her palm. The flames of the fire shrink and grow. 

‘Shall we go to bed?’ asks Phil.

            ‘Yes,’ she says, ‘yes.’ And she thinks of his solid body and how he will hold her.


He can see her white skin through the darkness, feel her ribs splayed and the skin stretched and taut across the bones. He tries to be quiet but his breathing is heavy now. He runs his hands across her stomach, feels the smoothness of her skin and then the scar that’s now seventeen years and three months old.


It had started as they’d been told it would. They stayed calm, got to hospital in plenty of time. Had the bag June had carefully packed weeks before.

            She’d pushed for hours, done her best, done what she was told. But things were taking too long: there was a problem.

‘The cord is wrapped around the baby’s neck and his heartbeat has dropped,’ said a consultant. ‘We need to carry out an emergency caesarean and you have to be sedated for this.’ The consultant looked dark under the eyes and her forehead wrinkled when she looked at June.

‘Of course,’ said June, ‘do whatever you need to do.’

It didn’t take them long to make the uneven cut and pull the baby boy from her stomach. He was born quickly in the end but he was already blue. They put him in an incubator and the consultant told them that it was probably bad news.


Phil is asleep now, the rhythm of his breath changed. Slowly June unzips the compartment of their bedroom. She stands and tiptoes across the ground sheet, feels the flattened grass, the uneven earth beneath her feet. She opens the zip, pulls back the material of the tent that makes Jamie’s bedroom. Inside she sees the lines of him through the darkness. His duvet is twisted. Half his body uncovered, his long limbs soft with sleep.

She watches him now, just for a few minutes. She’s done this since he was born. In the beginning she would listen for his breath, but now this watching him is just the routine of her life. She kneels, reaches across and pulls the duvet to cover his body. He’s so big now: taller than her and lately she has started to worry. It was easy to keep him safe when he was small, when she could put him into a pram and push him around the park.

She closes the zip, crosses the tent and climbs back into her own bed.


It’s only 9am but already the beach is busy.

            ‘Everybody gets up so early when they’re camping, don’t they?’ says June.

            ‘Wow,’ says Phil, ‘today is going to be a scorcher.’ They’re walking down the steps onto the beach, the sand is soft beneath their feet and it slows their pace.

            ‘Here?’ asks June.

            ‘Here,’ says Phil and they put down their bags, shake open the towels and lay them on the ground.


June has a book with her, Phil has newspapers and a crossword. Jamie has a bucket and spade. He digs and moves the sand from one area of the beach to another and then back again. He re-seals the holes perfectly, pats them down so you might not know they ever existed. Except the surface is darker, smoother: disturbed in a different way.


The sea is cold when they paddle.

            ‘Wow,’ says Phil, ‘it’d take your breath away if you went any deeper than your knees.’

            ‘I’m going to try it,’ says June. And Phil watches her wade out and then plunge her shoulders beneath the waves. It doesn’t take her long to stand up. ‘You were right!’ she shouts through a deep intake of breath. They laugh and she does it again. ‘Jamie are you coming?’ He’s standing in the water and Phil holds his hand. His skin looks pale against his colourful swimming trunks and June thinks that it won’t be long before he’s taller than Phil. Jamie doesn’t move but a wave laps in and hits them higher on their legs. Jamie laughs, lets go of Phil’s hand and looks further out to sea.

            ‘You’re getting brave these days aren’t you? Are you having a lovely time?’ shouts June. Jamie doesn’t answer but she’s sure that he is.


It’s early evening now. They finished at the beach a while ago, had fish and chips from the chip shop in Docking.

            ‘It’s not even school holidays yet but I can’t believe how busy the place is,’ says Phil. ‘Shall we go back to the beach and watch the sun set? In fact the next beach along will be quieter, let’s go there.’

            ‘Yes,’ says June, ‘that sounds like a lovely idea.’


The car is parked on the quiet road, metres behind them now and they walk along the winding, well-trodden path to the beach. The road turned to sand minutes after they climbed from the car and it feels soft beneath their feet. Phil was right, it is quieter here.

            ‘I bet everyone has gone back to their campsites to get the fires going before it’s dark,’ says June.

            ‘Or maybe to have dinner,’ says Phil, ‘but we ate out, didn’t we, Jamie? We had fish and chips.’ He puts his arm around Jamie’s shoulders and squeezes, pulls him tight.

 ‘I can hear the sea now,’ says June and as they walk sand banks begin to rise on each side of them. The path is curved and the sea is obscured for the moment. There are hundreds of footprints, maybe thousands, and Jamie bends to touch the shapes in the sand.

‘Come on, Jamie,’ says June, ‘keep up.’ They round the corner then and the path opens to a huge, flat beach.

‘Wow,’ says Phil, ‘just look at that. I never get tired of this place.’ The beach stretches away to their left and right as far as they can see. In front of them the water doesn’t stop until it touches the sky. The sun is beginning to fall now and throws a golden shadow across the water. Phil puts his hands in his pockets, walks down to the water’s edge, dips his feet.

‘Toilet,’ says Jamie.

‘Okay,’ says June, ‘this way.’ There’s a toilet block back the way they came, a few steps back from the path. She leaves Phil to watch the sun. They’ll just be a few minutes and he’ll know where they’ve gone if he turns around.


The toilet block is small. Sand creeps up the steps and the concrete floor: remnants of dried footprints. The Ladies sign hangs on the left, Gentlemen is signed right.

            ‘This way,’ says June leading Jamie left.

            ‘No,’ says Jamie, ‘man,’ and he points to his chest. June hesitates, begins to follow but then changes her mind.

 ‘Okay, Jamie, but come back here when you’re done,’ she says. And Jamie looks at her the way he always does.


June is only gone for a few minutes. She doesn’t use the hand drier, doesn’t want to miss the sun. She stands outside the toilet block, shakes the water from her palms, smells the soap again and wipes her hands across her shorts. She hears the waves crashing on the shore and everything else is silent. A minute passes.

            ‘Jamie?’ she shouts, but there’s no reply. She passes the Gentlemen sign, steps inside. There is nobody at the sinks. She turns, checks the cubicles, finds them all empty. ‘Jamie?’ she shouts again.

            She is back on the path now, looks left, looks right.

‘Phil,’ she shouts from across the sand. She sees his lone figure, sees the sun lower, closer to the sea. She sees the shadow of evening fall across the ground, sees the empty flat beach and how there is nothing else.